• Home
  • Blog
  • Contact
  • Our Team
    • Legal Counsel
  • Cookie Policy (US)
Menu
  • Home
  • Blog
  • Contact
  • Our Team
    • Legal Counsel
  • Cookie Policy (US)
Subscribe
August 15, 2011
Claude Monet, the icon of French Impressionism, slaved for over a year painting a picnic on the grass with well-dressed men and women, all friends of the artist, enjoying a sunny day and a well-stocked meal. “Le déjeûner sur l’herbe”, painted somewhere between 1865 and 1866 remained in Monet’s possession until the end of his life. Lousy storage conditions produced mildew damage in corners of the work which Monet had to slice off twenty years after painting this masterpiece.

Le déjeûner sur herbe, Claude Monet
Source: Musée d’Orsay

His son, Michel Monet, inherited the work upon his father’s death in 1926 together with many other paintings which Claude had either refused to sell or could not sell in his lifetime, leaving him in recurring debt and constantly on the brink of total destitution. And yet…

Michel Monet
Source: Giverny News

Right about the time of the German invasion of France in the spring of 1940, Michel Monet lent the painting to the Louvre for an exhibit being organized on the hundredth anniversary of Monet’s birth, “Le Centenaire de Claude Monet.”

And then came the Einsatzstab Reichsleiter Rosenberg (ERR) and its swashbuckling local dignitary, SS Colonel von Behr, former director of the German Red Cross.

Von Behr, in all his anti-Semitic wisdom, received word that the “Déjeûner sur l’herbe” belonged to a Jewish collection named André Weil. He ordered the painting removed from the Louvre and transferred to the Jeu de Paume for “disposal.” Meanwhile, a more pragmatic “cultural official” in the newly-installed German military administration (Militärbefehlshaber für Frankreich), member of the Kunstschutz, realized that the ERR was making a big mistake and that the painting belonged to Monet’s son, Michel Monet, and should be returned to him forthright.

Reason prevailed at least in those early days of cultural plundering in German-occupied Paris. On 17 December 1940, the “Déjeûner sur l’herbe” was returned to its rightful owner and was put on display as part of his late father’s legacy to art and to culture.

Other works and other collectors were not so lucky.

Thank God for Michel Monet! He was not Jewish.

Share
cameronav23
cameronav23

Related posts

January 9, 2020

What happened to the collection of Edouard Esmond?


Read more
January 8, 2020

The fate of the collection of Alexandra Pregel, aka Avxente


Read more
January 5, 2020

The Destruction of works of art in wartime Paris-Part Two


Read more
Cookie Consent
We use cookies to optimize our website and our service.
Functional Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes. The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
Manage options Manage services Manage {vendor_count} vendors Read more about these purposes
Preferences
{title} {title} {title}