Portrait of Greta Moll by Marc Masurovsky [Editor’s note and caveat: this article brings together the major articles which appeared in the international press concerning the […]
by Marc Masurovsky Historian Lisa Leff pointed out in her recent book, “The Archive Thief,” how, in the late 1940s, the leadership of the Jewish Cultural […]
by Marc Masurovsky In late January 2014, Ronald Lauder, president of the World Jewish Congress, declared that art objects stolen from Jews “are the last prisoners […]
by Marc Masurovsky The process of understanding what exactly unfolded at the Jeu de Paume museum in German-occupied Paris between late 1940 and July 1944 has […]
by Marc Masurovsky South Korea hosted the 6th International Conference of Experts on the return of Cultural Property (ICECP), a forum which it helped create in […]
by Marc Masurovsky In its most basic form, the domino effect is an uncontrollable chain reaction, an irreversible sequence of events brought about by one well-placed […]
by Marc Masurovsky Artists produce their works in whatever media they select as their mode of expression-paper, panel, stone, metal, silk, canvas, cardboard, synthetic materials, reused […]
by Marc Masurovsky In August 2015, a new book co-authored by Swiss historian and journalist, Thomas Buomberger, and art historian, Guido Magnaguagno, has called into question […]
by Marc Masurovsky Not to be flip, but “flight assets” is an odd expression. Its more appropriate use applies to aviation, airplanes, anything related to a […]
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