by Marc Masurovsky As in the case of Pablo Picasso and many other eminent artists plying their creative streak in France, Henri Matisse chose to remain […]
In November 1940, Chaim Soutine’s main benefactor, Madeleine Castaing, had introduced him to the former wife of Max Ernst, Marie-Berthe Aurenche, at a café in Saint-Germain-des-Prés. […]
Dr. Erhard Göpel, representative of the Linz Museum project, accessory to acts of cultural plunder both in German-occupied Holland and France, had a “special” relationship with […]
by Marc Masurovsky Art is a commodity which can be traded like widgets. On January 17, 1944, a French company called “Compensex” [Compagnie commerciale d’exportation et […]