Einsatzstab Reichsleiter Rosenberg

January 11, 2012
January 11, 2012

The “three graces” of art restitution

“The Graces of the Gardens of the Hesperides”, Rubens, taken by the ERRSource: Holocaust-Era Assets Portal, NARA, RG 111-SC-374665 Although they were not paragons of beauty […]
January 11, 2012
February 4, 2015
February 4, 2015

A Gurlitt painting waiting to be restituted: View of the Seine from the Pont-Neuf, by Camille Pissarro

by Marc Masurovsky One of the paintings found in the infamous Salzburg Depot in Western Austria which were part of the art collection of the late […]
February 4, 2015
October 10, 2016
October 10, 2016

Deconstructing the Jeu de Paume

by Marc Masurovsky The process of understanding what exactly unfolded at the Jeu de Paume museum in German-occupied Paris between late 1940 and July 1944 has […]
October 10, 2016
December 5, 2016
December 5, 2016

“Mann mit blauer Mütze,” by Eugeniusz Zak—Part Two

by Agnieszka Yass-Alsston [Editor’s note: This is an article released in two parts on the work of Eugeniusz Zak. The author, Agnieszka Yass-Alston, is an art […]
December 5, 2016
October 31, 2017
October 31, 2017

Economics and plunder

by Marc Masurovsky If you ever wonder how an economic analysis of “enemy” assets conducted by the German plundering agency—Einsatzstab Reichleiter Rosenberg [ERR]—can shape and refine […]
October 31, 2017
April 15, 2018
April 15, 2018

La “question juive” et le marché de l’art en France, 1940-1944

by Marc Masurovsky [This paper was delivered in French at an international conference in Bonn, Germany, on November 30, 2017. The conference focused on plunder and […]
April 15, 2018
October 8, 2018
October 8, 2018

It is not heirless unless we say it is

by Marc Masurovsky In late January 2015, HASHAVA sponsored a visit to the kibbutz of Ein Harod and its museum of Jewish artists near Mount Gilboa. […]
October 8, 2018
December 30, 2019
December 30, 2019

Sunflower oil for paintings

by Marc Masurovsky Art is a commodity which can be traded like widgets. On January 17, 1944, a French company called “Compensex” [Compagnie commerciale d’exportation et […]
December 30, 2019
January 3, 2020
January 3, 2020

The destruction of works of art in wartime Paris–Part One

by Marc Masurovsky This is the first in a series of articles detailing the selective impact of Nazi cultural policy at the Jeu de Paume museum […]
January 3, 2020
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