by Marc Masurovsky How is “provenance research” defined? Some institutions stress the linguistic roots of the word “provenance.” The Getty Museum teaches us that the word […]
by Marc Masurovsky This is the third installment in a series of articles on provenance research as presented to the general and specialized public through digital […]
by Marc Masurovsky The “theory and practice of provenance research” seminar/workshop at the Museum of Texas Tech University in Lubbock, TX, has wrapped up its fourth […]
by Marc Masurovsky What could be so interesting about the “plundered art” blog that it has attracted a blizzard of pageviews unlike anything seen since the […]
by Marc Masurovsky Locating looted art in public and private collections, auction houses, galleries, is one thing; recovering these plundered objects is quite another. The search […]
by Marc Masurovsky The fault lines around contrasting views and understandings of provenance research might appear to be subtle to the uninitiated but, in reality, the […]
by Marc Masurovsky Up until the mid-to late 1990s, provenance research remained within the province of trained art historians working in cultural institutions where art objects […]
by Marc Masurovsky On November 26-28, 2018, almost exactly twenty years after the start of the Washington Conference on Holocaust-Era Assets, the German Lost Art Foundation […]
by Marc MasurovskyThree years ago, representatives from China, Turkey, Greece, Cambodia, UNESCO, the United States, the United Kingdom, and South Korea, gathered at Gyeongju, South Korea, […]